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DVOŘÁK: REQUIEM, Stotijn, Spyres, Martiník

Archive: DVOŘÁK: REQUIEM, Stotijn, Spyres, Martiník


náměstí Jana Palacha 79/1, 110 00 Praha-Praha 1, Česká republika
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Antonín Dvořák: Requiem, op. 89, B. 165

Dvořák’s Requiem had its world premiere in 1891 at the music festival in Birmingham, England, which had commissioned him to write a work ‘of first importance’. When composing it Dvořák was at the height of his creative powers, and he decided to express in this work the prowess and world view he had achieved during the fifty years of his life both as a composer and as a human being: he 'speaks' of his relation to God and seeks answers to the most fundamental questions of human existence, but without spectacle, exaggerated pathos, or weepiness. On this evening the work will sound in a rendition by world-renowned soloists Ailyn Pérez, Christianne Stotijn, Michael Spyres, and Jan Martínek with the Prague Philharmonic Choir and the Czech Philharmonic Orchestra.

  • Dress code: dark suit
  • Doors close: 19.55
  • End of concert: 22.00


Ailyn Pérez

Hailed by the New York Times as ‘a beautiful woman who commands the stage’, American soprano with Mexican roots Ailyn Pérez dazzles audiences with her talent and charm in the world’s leading opera houses, appearing regularly in such venues as the Metropolitan Opera, La Scala, the Royal Opera Covent Garden, and the Berlin State Opera performing roles like Mimi in La bohème, Violetta in La Traviata, Juliette in Romeo et Juliette, and the title role in Massenet’s Manon. A graduate of Philadelphia’s Academy of Vocal Arts and Indiana University, she has won both the 2012 Richard Tucker Award and the fifteenth annual Plácido Domingo Award. Her many other accolades include the George London Foundation’s Leonie Rysanek Award, a Shoshana Foundation Career Grant, second place in the Plácido Domingo Operalia Competition, and honours from Opera Index and the Licia Albanese-Puccini Foundation. Recently she has sung opposite stars like Plácido Domino, Andrea Bocelli, and José Carreras with outstanding conductors such as Antonio Pappano and Yannick Nézet Séguin. Her debut album Poème d’un jour on the Opus Arte label was released to rave reviews.


Michael Spyres

Tenor Michael Spyres grew up in a family of American musicians. After beginning his studies in the U.S.A. he continued his education at the Vienna Conservatory. He first sprang to international attention as an ensemble member of the German Opera in Berlin where he debuted as Tamino in Die Zauberflöte in 2008. Since then he has performed in numerous opera theatres and festivals worldwide. In the 2016-17 season his engagements include for example the title roles in Les Contes d'Hoffmann with the Bavarian State Opera in Munich, in Orlando Paladino in Zurich, and in Mozart's Mitridate ri di Ponto at London's Covent Garden. Spyres has worked with conductors such as Riccardo Muti, Sir John Eliot Gardiner, Sir Andrew Davis, and Sir Mark Elder. In recordings we find him for instance in Rossini's La gazzetta, Donizetti's Les Martyrs and Le Duc d'Albe, and Verdi's Otello, as well as on his solo album on the Delos label, A Fool For Love.


Jan Martiník

Born in Ostrava in 1983, Jan Martiník studied at the conservatoire and the university there, and it was also in Ostrava that he obtained his first theatrical engagement, with the Moravian-Silesian National Theatre. In 2007 he advanced to the finals in Plácido Domingo's ‘Operalia’ competition, and in 2009 he won first place in the category of Song in the BBC 'Singer of the World' contest in Cardiff. From 2008 to 2011 he was a regular soloist with the Comic Opera in Berlin. He is a frequent guest of the National Theatre in Prague, and has also appeared as a guest on opera stages in Košice and Erfurt among other venues. Since the 2012-13 season he has been a regular soloist with State Opera in Berlin. He has sung in concerts with the Czech Philharmonic, the BBC Symphony Orchestra, the Rotterdam Philharmonic, the BBC Proms Orchestra, and the Czech ensemble Collegium 1704.


Christianne Stotijn

Dutch mezzo-soprano Christianne Stotijn studied violin and voice at the conservatoire in Amsterdam, then continued her vocal studies with such world-renowned artists as Udo Reinemann and Janet Baker. A profound influence on her career has been her work with conductor Bernard Haitink, under whose direction she has sung with ensembles including the Royal Concertgebouw Orchestra, the Chicago Symphony, and the London Symphony. She has performed in world premières of various contemporary works as well as in opera, and regularly appears with chamber musicians such as violist Antoine Tamestet, her brother the contrabassist Rick Stotijn, and the Oxalys Ensemble. Her acclaimed discography includes for example a recording of Tchaikovsky songs for Onyx and most recently her debut recording for Warner Classics, If the Owl Calls Again. Over the years she has won numerous awards, including the prestigious Echo Rising Stars Award for 2005/2006, the Borletti-Buitoni Trust Award in 2005, and the Nederlands Muziekprijs in 2008. In 2007 she was selected as a BBC New Generation Artist.


Prague Philharmonic Choir

The Prague Philharmonic Choir, which celebrated its eightieth anniversary last year, is one of the most important choral ensembles in Europe. It was founded by the legendary Czech choirmaster Jan Kühn, originally for the broadcasting needs of Czechoslovak Radio though the range of its activities soon expanded to include regular concerts and recordings––the extraordinary quality and broad scope of which won universal respect. The ensemble's international prestige is demonstrated by its collaboration with many topflight conductors of the world including Erich Kleiber, Riccardo Muti, Claudio Abbado, Leonard Bernstein, Zubin Mehta, and Simon Rattle, and orchestras like the Berlin Philharmonic, the Royal Concertgebouw Orchestra, and the Israel Philharmonic. The choir is a regular guest at prestigious music festivals of the world and also shares in opera productions, for instance at Milan's La Scala. For many years the ensemble has worked closely with the Czech Philharmonic.


Lukáš Vasilek

Lukáš Vasilek graduated in conducting from the Academy of Performing Arts and in musicology from the Charles University Faculty of Arts, both in Prague. In 1998 he became choirmaster of the Foerster Chamber Singing Association, with which he won many honours in prestigious international competitions. From 2005 to 2007 he served as second choirmaster of the National Theatre Opera in Prague where he prepared several operas including The Kiss, Don Pasquale, and La clemenza di Tito. Since 2007 he has been principal choirmaster of the Prague Philharmonic Choir; his highly-acclaimed work with this ensemble includes rehearsing and conducting a broad repertoire from various style periods as well as making many recordings. He also works as an orchestral conductor, and is the founder of a chamber choir called Martinů Voices with which he performs mainly music of the twentieth and twenty-first centuries.


Czech Philharmonic

The Czech Philharmonic is the foremost Czech orchestra and has long held a place among the most esteemed representatives of Czech culture on the international scene. The beginning of its rich history is linked to the name of Antonín Dvořák, who on 4 January 1896 conducted the ensemble’s inaugural concert. Although the orchestra performs a broad range of the basic international repertoire, it is sought out most often for its superb interpretations of works by the Czech classics, in a tradition built by excellent conductors like Václav Talich, Rafael Kubelík, Karel Ančerl, and Václav Neumann. The ensemble has won many international honours for its recordings, the first of which it made already in 1929: Smetana’s My Country with Talich. In 2008 the prestigious magazine Gramophone ranked it among the twenty best orchestras of the world. Since the inception of the Dvořák Prague Festival the Czech Philharmonic has been its resident orchestra.


Rudolfinum, Dvořák Hall

The Rudolfinum is one of the most important Neo-Renaissance edifices in the Czech Republic. In its conception as a multi-purpose cultural centre it was quite unique in Europe at the time of its construction. Based on a joint design by two outstanding Czech architects, Josef Zítek and Josef Schultz, a magnificent building was erected serving for concerts, as a gallery, and as a museum. The grand opening on 7 February 1885 was attended by Crown Prince Rudolph of Austria, in whose honour the structure was named. In 1896 the very first concert of the Czech Philharmonic Orchestra took place in the Rudolfinum's main concert hall, under the baton of the composer Antonín Dvořák whose name was later bestowed on the hall.

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