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VERTEDANCE AND ARCHA THEATRE: SIMULANTE BANDE
ARCHA THEATRE
Na poříčí 1047/26, Praha 1 - Nové Město, PRAGUE
www.archatheatre.cz
Na poříčí 1047/26, Praha 1 - Nové Město, PRAGUE
www.archatheatre.cz
WorldEventsCalendar
Two healthy dancers and two disabled dancers. Gentle touches, sharp blows and falls. Where is the border that we sometimes call "convention"? What is permitted? What is forbidden? What is kept silent?
In the dance performance SIMULANTE BANDE choreographer duo Veronika Kotlíková and Tereza Ondrová (VerTe Dance) examine the novel possibilities of expression through movement of a healthy and a physically disabled person, the relativity of the term "disability" and the fragile cosmos of interpersonal relations.
Non-dancers Alena Jančíková and Zuzana Pitterová present their often invisible limits in unbelievable performances in which they are "assisted" by professional dancers Helena Arenbergerová and Petr Opavský. Original music by DVA.
“First of all we wanted to create a beautiful performance,” said Kotlíková and Ondrová. “We examined the female body, its beauty and appeal, its dimensions and individual limits. Limited motion became for us an inspiration and driving force, with the dancer’s often unseen limitations recast into unbelievable performances.”
In the dance performance SIMULANTE BANDE choreographer duo Veronika Kotlíková and Tereza Ondrová (VerTe Dance) examine the novel possibilities of expression through movement of a healthy and a physically disabled person, the relativity of the term "disability" and the fragile cosmos of interpersonal relations.
Non-dancers Alena Jančíková and Zuzana Pitterová present their often invisible limits in unbelievable performances in which they are "assisted" by professional dancers Helena Arenbergerová and Petr Opavský. Original music by DVA.
“First of all we wanted to create a beautiful performance,” said Kotlíková and Ondrová. “We examined the female body, its beauty and appeal, its dimensions and individual limits. Limited motion became for us an inspiration and driving force, with the dancer’s often unseen limitations recast into unbelievable performances.”
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